A new vanguard emerged in the early 1940s, primarily in New York, where a small group of loosely affiliated artists created a stylistically diverse body of work that introduced radical new directions in art—and shifted the art world's focus. Never a formal association, the artists known as "Abstract Expressionists" or "The New York School" did, however, share some common assumptions. Among others, artists such as Jackson Pollock , Willem de Kooning , Franz Kline , Lee Krasner , Robert Motherwell , William Baziotes , Mark Rothko , Barnett Newman , Adolph Gottlieb , Richard Pousette-Dart , and Clyfford Still advanced audacious formal inventions in a search for significant content. Breaking away from accepted conventions in both technique and subject matter, the artists made monumentally scaled works that stood as reflections of their individual psyches—and in doing so, attempted to tap into universal inner sources. These artists valued spontaneity and improvisation, and they accorded the highest importance to process. Their work resists stylistic categorization, but it can be clustered around two basic inclinations: an emphasis on dynamic, energetic gesture, in contrast to a reflective, cerebral focus on more open fields of color. In either case, the imagery was primarily abstract. Even when depicting images based on visual realities, the Abstract Expressionists favored a highly abstracted mode.
Now considered to be the first American artistic movement of international importance, the term was originally used to describe the work of Willem de Kooning, Jackson Pollock and Arshile Gorky.
The movement can be more or less divided into two groups: Action Painting, typified by artists such as Pollock, de Kooning, Franz Kline, and Philip Guston, stressed the physical action involved in painting; Color Field Painting, practiced by Mark Rothko and Kenneth Noland, among others, was primarily concerned with exploring the effects of pure color on a canvas.
Technically, an important predecessor is surrealism, with its emphasis on spontaneous, automatic or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst and David Alfaro Siqueiros. Another important early manifestation of what came to be abstract expressionism is the work of American Northwest artist Mark Tobey, especially his "white writing" canvases, which, though generally not large in scale, anticipate the "all-over" look of Pollock's drip paintings.
The movement's name is derived from the combination of the emotional intensity and self-denial of the GermanExpressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus and Synthetic Cubism. Additionally, it has an image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic. In practice, the term is applied to any number of artists working (mostly) in New York who had quite different styles and even to work that is neither especially abstract nor expressionist. California Abstract ExpressionistJay Meuser, who typically painted in the non-objective style, wrote about his painting Mare Nostrum, "It is far better to capture the glorious spirit of the sea than to paint all of its tiny ripples." Pollock's energetic "action paintings", with their "busy" feel, are different, both technically and aesthetically, from the violent and grotesque Women series ofWillem de Kooning's figurative paintings and the rectangles of color in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist and which Rothko denied were abstract). Yet all four artists are classified as abstract expressionists.
Robert Myron Coates (April 6, 1897 – February 8, 1973) was an American writer and a long-term art critic for the New Yorker. He coined the term "abstract expressionism" in 1946 in reference to the works of Arshile Gorky, Jackson Pollock and Willem de Kooning.
As a writer of fiction, he is considered a member of the Lost Generation, having spent part of his life abroad in Europe. His first three novels are highly experimental, drawing upon Dada, surrealismand expressionism for their effect. His last two novels are examples of crime fiction in which the narrator presents a psychopathological case study of the protagonist. Nowadays, Coates is best known for The Outlaw Years (1930), which deals with the history of the land pirates of the Natchez Trace.
Anthony Boucher praised Coates as "one of the most persuasive recorders of the unaccountable and disturbing moment," singling out his fantasy stories for their "haunting tone of uncertainty and dislocation."
Coates was born in New Haven, Connecticut in 1897 and died at the age of 75 in New York City in 1973
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